COLLECTION 2025 - SILVER HOURS
If the last collection—Wonder Chamber—was initiated with a stack of collages, Silver Hours began with the act of looking into a mirror. Physically and metaphorically, it emerged from a search for answers—answers to the why behind creative acts. Why do we make? Because we must. Creation is necessity. Our objects become mirrors: they reflect what we’re experiencing, what we’re questioning. They hold the trace of introspection—quiet markers of self-presence.
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Instead of “I look into the mirror” or “I look at the mirror”, in French, they only say: je me regarde dans le miroir , that translates to “I look at myself in the mirror.” It’s a tender, almost cinematic phrase. In this collection, the mirror is not just an object, but a liminal space—a poetic threshold where the one looking into it exists both as subject and reflection. When one looks into the mirror, the space also looks back.
I. FLUTED CHAMBRE - MIRROR
The mirror marks the beginning of this collection—not just as an object, but as an invitation to look.
Inspired by a decorative box designed by Josef Hoffmann, its fluted surface ripples inward like the stillness of water that’s just been touched.
This is not a mirror that simply reflects—it frames. It gathers the gaze and holds the atmosphere around it, catching thoughts as they pass and shadows as they slip away. Informed by the mirror’s historical role as both ornament and instrument of introspection, Fluted Chambre becomes a vessel for presence, a threshold where the viewer lingers as both subject and reflection.
WALL MIRROR IN BRUSHED STAINLESS STEEL EMBELLISHED WITH BLACK BEADS.
32"L, 22 3/4"W, 2 1/2"D
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II. THE PORTICO - CONSOLE TABLE
The word console comes from the Latin consolor—to support, to soothe. Usually placed in entryways or transitional spaces, the console table has long served, also, as a threshold object: part architecture, part ritual. Offering a moment of pause between departure and return. It supports what is precious, both literally and symbolically—an altar for display, a stage for stillness.
The Portico draws from this lineage and reimagines it. Part column, part arc, its form holds the quiet gravity of ancient structures while remaining open and gestural. It does not declare, but invites. Like a portico—the architectural space it nods to—it exists between worlds: inside and out, public and private, grounded and suspended. Its presence is one of quiet monumentality, carrying the memory of support with a lightness that belongs to the present.
CONSOLE TABLE IN BLACK LACQUERED WOOD, STAINLESS STEEL.
50" L, 20"H, 12 1/2"D
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III. STILL GAZE - SIDE TABLE
Still Gaze continues the collection’s exploration of objects as vessels for reflection. Suspended between presence and illusion, its curved aluminum form folds inward like a breath withheld, while the tinted glass top hovers with the quiet stillness of a moon on water.
Like a moment caught between seeing and being seen, the piece echoes the liminal nature of Silver Hours—where light, thought, and memory pass gently through form, never fully settling, always slightly out of reach.
SIDE TABLE IN ALUMINUM HOLDING AN OVAL PIECE OF GREY TINTED GLASS.
18"L, 17 3/8"W, 16 1/4"H